Some books drag in the reader and just do not let them go. These are the 5-star books, books that readers don't just read, they sink into the world that the author has created.
Debbie Bennett released the first of her trilogy just recently. I would have had to have been one of the first to buy the ebook. I'd already read 'Hamelin's Child' and ' Paying the Piper,' and now there was 'Calling the Tune.'
It was enthralling, and I wanted to go back and read it straightaway again. But I restrained myself. These are books I will want to read again and again - not as ebooks, which for me, is always a second rate experience, but as real books. So now I have in my collection the three paperbacks.
The first, 'Hamelin's Child.'
'Michael Redford died on his seventeenth
birthday – the night Eddie picked him up off the street, shot him full of
heroin and assaulted him.
Now he’s Mikey and he works for Joss. With streaked blond hair and a cute
smile, he sleeps by day and services clients at night. Sometimes he remembers
his old life, but with what he’s become now, he knows there is no return to his
comfortable middle-class background.
Then he makes a friend in Lee. A child of the streets, Lee demands more from
friendship than Mikey is prepared to give. But the police are closing in on
them now and Mikey’s not sure anymore who he really is – streetwise Mikey or
plain Michael Redford.
Hamelin’s Child was long-listed in the UK Crime Writers’ Association Debut
Dagger Award. A thriller set in the seedy world of London's drug rings, this
book contains strong scenes and adult material.'
A typical review:
I've
just finished reading this book, but I know it's a story that is going to stay
with me for a long time to come. I've read it in 4 sittings over 4 days, and
from the moment I started it, its main character has rarely been out of my
thoughts - even when I've been asleep. It really is that good.
Michael is a regular teenager with regular teenager troubles, until he has his
drink spiked in a club by Eddie, and he is manipulated into going back to
Eddie's London flat. And so for Michael, begins his unwanted and horrific
transition into the seedy under-world of heroin addiction, prostitution,
violence and exploitation. It's harrowing. It's heart-stopping on more than one
occasion, and it's compelling. I feel like I know Michael; he's so real, and
I've wanted to cry for him, rescue him, and protect him. I've also wanted to
shake him - as he's so real, some of his choices have left me seething with
frustration.
This author knows her stuff. It's in the detail, the descriptions, the language.
It all just combines to create a world that although alien to me at first,
quickly became alive and real, and incredibly disturbing.
I would recommend this book unreservedly. You will learn something, you will be
shocked, you might cry - but you won't be able to put it down. A book about
something that really happens and really matters, and although it might not be
pleasant for its readers in places, we kneed to know - and this author tells it
like it is.
This story really will affect you. I was actually a little reluctant to start it. I was screaming to Michael in my mind - 'No, do not go with him!'
And not so much later, it was so desperately sad as Michael returns to the life because he can no longer live without the drugs.
The second, 'Paying the Piper.'
'Michael
is piecing his life back together after his time spent as a rent boy. But it's
hard and although he's been clean of drugs for months, the nightmares are still
too real and he can't come to terms with Lee's death and Eddie's impending
trial.
Sometimes other people's troubles can seem easier to deal with. When Michael
meets Amanda at the cashpoint, it's a chance to focus on someone other than
himself, and finding Amanda's missing husband and baby may just be his
salvation.
But the shadows of his past won't let him go. The bank account they've set up
for him is full of easy cash and Eddie's old boss Carl can help Amanda. And
suddenly Michael is in deeper than he ever imagined possible.'
What
a cracking follow-up to the first book in this series, Hamlin's Child. Paying
the Piper has all the classic ingredients of a good crime thriller, and the
clues and evidence were handled superbly, culminating in a breathless chase to
the finish.
We pick up the story with Michael in post-traumatic limbo following on from the
repercussions of the sex trafficking ring and his imminent trial. By chance he
meets Amanda, and their problems become almost one as he endeavors to help her
track down her missing child with the help of dirty money. But the shadows of
his past close in on him and Michael finds himself trapped, drugged and
kidnapped, and sold on!
The story is about Amanda too, who finds herself implicated in the drugs ring.
Brilliant characters and the plotting is tense and tight and builds to a
dramatic climax.
And I know it's wrong, but I kind of fancied Lenny.
The third: Calling the Tune.
'It's Eddie's trial and Michael is reliving things he'd rather forget.
Giving evidence means that he can't hide and there are still people looking for him and old debts to be repaid.
A year of counselling isn't enough. Face to face with the man who raped him, Michael can't deal with it.
Trainee
reporter Becky follows him out of court, but she gets more than a story when a
phone call and security alert mean Michael is on the run for his life.
But running away never solved a problem. Michael realises he has to face his
demons head-on if he's ever going to be able to move on with his life - and now
he's on a collision course with his worst nightmare.
Following on from Hamelin's Child and Paying the Piper, this novel contains
adult material.'
Format:Kindle Edition
`Calling the Tune' is the very
satisfactory conclusion of DJ Bennett's trilogy which follows the degradations
of middle-class teenager Michael Redford as he battles the consequences of a
drugged kidnapping and initiation into London's sex-trade. The electric tension
of the previous books, `Hamelin's Child' and `Paying the Piper', is masterfully
maintained. The shocking denouement rockets a changed Michael back into an
unchanged world, and the reader, deeply caring for him, is left hoping that he
will cope.
The villains are human and credible as is the whole cast, and the scenarios are
expertly set up to hold the reader on the edge of his seat.
Although adult and graphic the content is never gratuitous; you will be shocked
but not offended. Neither are you whipped into outrage; instead you become
involved in Michael's tribulations, willing him to emerge unscathed from the
twilight world - a measure of the quality of the writing.
Tip: read the trilogy from the beginning.
For more reviews, see
Notice that a lot of the reviews say that it was hard to forget Michael. It is that way for me, that the story keeps running through my head.
It raises some questions, as well. It's made me think.
There are times when Michael acts stupidly. He is far from the swashbuckling hero of the traditional thriller. Even when he tries to 'call the tune,' it's so,
so far from the best way to do it. Only at the very last does he make the decisive action that enables him to finally win through.
There is also the issue of the confusion between the goodies and baddies. DJ Bennett has a far more sophisticated way of looking at it than most of us, maybe because of her background in the police force. That the baddies are people as well, never all bad (except for the
really bad guy, he is
evil.) But in all the series, there are characters that are on the 'bad' side, and yet act in a good way, Lennie, for instance, who works very hard to free Michael, even at the risk of his own life.
I drew the line at Nick being a good guy underneath it all, though. Nick is in the third book, and he helps Michael and he helps Lennie and Becky. He says that Michael was different, not some nameless street kid. But he was working for Reilly, who made
snuff movies! Street kid, crackhead, whatever, it is evil to derive enjoyment from their murder. I would put Nick firmly behind bars as well as anyone else who worked for that villain.
To buy the ebooks, you can go to any of a dozen sites, including the biggest - Amazon.com.
http://www.amazon.com/Hamelins-Child-DJ-Bennett-ebook/dp/B004PLNLWY/
To buy the paperbacks, and especially if you live in a country where you usually pay an additional $10 for a book to be sent, use the Book Depository,
$16.44, free postage anywhere in the world.